english
nederlands
Indymedia NL
Vrij Media Centrum Nederland
Indymedia NL is een onafhankelijk lokaal en mondiaal vrij communicatie orgaan. Indymedia biedt een andere kijk op het nieuws door een open publicatie methode van tekst, beeld & geluid.
> contact > zoek > archief > hulp > doe mee > publiceer nieuws > open nieuwslijn > disclaimer > chat
Zoek

 
Alle Woorden
Elk Woord
Bevat Media:
Alleen beelden
Alleen video
Alleen audio

Dossiers
Agenda
CHAT!
LINKS

European NewsReal

MDI klaagt Indymedia.nl aan
Rechtszaak Deutsche Bahn tegen Indymedia.nl
Onderwerpen
anti-fascisme / racisme
europa
feminisme
gentechnologie
globalisering
kunst, cultuur en muziek
media
militarisme
natuur, dier en mens
oranje
vrijheid, repressie & mensenrechten
wereldcrisis
wonen/kraken
zonder rubriek
Events
G8
Oaxaca
Schinveld
Schoonmakers-Campagne
Hulp
Hulp en tips voor beginners
Een korte inleiding over Indymedia NL
De spelregels van Indymedia NL
Hoe mee te doen?
Doneer
Steun Indymedia NL financieel!
Rechtszaken kosten veel geld, we kunnen elke (euro)cent gebruiken!

Je kunt ook geld overmaken naar bankrekening 94.32.153 tnv Stichting Vrienden van Indymedia (IBAN: NL41 PSTB 0009 4321 53).
Indymedia Netwerk

www.indymedia.org

Projects
print
radio
satellite tv
video

Africa
ambazonia
canarias
estrecho / madiaq
kenya
nigeria
south africa

Canada
hamilton
london, ontario
maritimes
montreal
ontario
ottawa
quebec
thunder bay
vancouver
victoria
windsor
winnipeg

East Asia
burma
jakarta
japan
manila
qc

Europe
alacant
andorra
antwerpen
armenia
athens
austria
barcelona
belarus
belgium
belgrade
bristol
bulgaria
croatia
cyprus
estrecho / madiaq
euskal herria
galiza
germany
grenoble
hungary
ireland
istanbul
italy
la plana
liege
lille
madrid
malta
marseille
nantes
netherlands
nice
norway
oost-vlaanderen
paris/île-de-france
poland
portugal
romania
russia
scotland
sverige
switzerland
thessaloniki
toulouse
ukraine
united kingdom
valencia
west vlaanderen

Latin America
argentina
bolivia
brasil
chiapas
chile
chile sur
colombia
ecuador
mexico
peru
puerto rico
qollasuyu
rosario
santiago
tijuana
uruguay
valparaiso

Oceania
adelaide
aotearoa
brisbane
burma
darwin
jakarta
manila
melbourne
oceania
perth
qc
sydney

South Asia
india
mumbai

United States
arizona
arkansas
atlanta
austin
baltimore
big muddy
binghamton
boston
buffalo
charlottesville
chicago
cleveland
colorado
columbus
danbury, ct
dc
hampton roads, va
hawaii
houston
hudson mohawk
idaho
ithaca
kansas city
la
madison
maine
miami
michigan
milwaukee
minneapolis/st. paul
new hampshire
new jersey
new mexico
new orleans
north carolina
north texas
nyc
oklahoma
omaha
philadelphia
pittsburgh
portland
richmond
rochester
rogue valley
saint louis
san diego
san francisco
san francisco bay area
santa barbara
santa cruz, ca
seattle
tallahassee-red hills
tampa bay
tennessee
united states
urbana-champaign
utah
vermont
western mass
worcester

West Asia
armenia
beirut
israel
palestine

Topics
biotech

Process
discussion
fbi/legal updates
indymedia faq
mailing lists
process & imc docs
tech
volunteer
Credits
Deze site is geproduceerd door vrijwilligers met free software waar mogelijk.

De software die we gebruiken is beschikbaar op: mir.indymedia.de
een alternatief is te vinden op: active.org.au/doc

Dank aan indymedia.de en mir-coders voor het creëren en delen van mir!

Contact:
info @ indymedia.nl
Lebanon: Rebellious rhymes against post-war misery
a-films - 03.01.2010 12:33

The hip-hop beats ringing through the muddy, unlit streets of the burnt-out Palestinian refugee camp Nahr al-Bared seem incongruous. But the rhymes are camp-grown - and courageous.


MC Tamarrod
MC Tamarrod

"I'm carrying worries / From inside a destroyed camp / I'm preparing an attack / Words that keep turning in my head / Nahr al-Bared is fenced-in with iron bars / In the newspapers they speak about suffering / Every word makes sense."

Farhan Abu Siyam, 21, is Nahr al-Bared's first and only rapper. Going by the name of MC Tamarrod (which translates as MC Rebellion), he grew up in the Palestinian refugee camps of Nahr al-Bared and Bourj al-Barajneh.

Abu Siyam knows that hip-hop has few takers within Palestinian society. "Many people don't like rap because they're against Western music and its elements like the beat." But he asks the community to give rap a chance, stressing that he does not sing in a foreign language, but uses Arabic. "I rap in our Palestinian dialect, in the language of the camps where I was born and grew up."

Abu Siyam says he is inspired by the hip-hop crews 'Katibe 5' and 'I-Voice' in Beirut's Bourj al-Barajneh refugee camp and rap groups in Palestine such as 'Ramallah Underground' or 'DAM' which are regarded as the founders of Palestinian hip-hop and have a style that is serious rather than entertainment-oriented.

Palestinian rappers are usually inseparable from their origins, stress their marginalised or oppressed situation and use their words as weapons in their political and social struggles. Groups direct their rhymes at the discrimination that the approximately 250,000 Palestinians in Lebanon face as well as at their own society's establishment, accusing NGOs and the political parties of being corrupt and betraying the Palestinian cause.

Abu Siyam raps about the miserable post-war life in Nahr al-Bared. Together with the autonomous media collective 'a-films', he has produced a short video clip:
 http://a-films.blogspot.com/2009/12/09dec17en.html

Gesturing in front of a bullet-riddled wall in a burnt-out building, he revisits the camp's devastating war in 2007 and raps:

"Asking me what happened? / Those who hit have run / Those who passed by have looted / And some of them have burned."

Two and a half years ago, the Nahr al-Bared camp in Lebanon's north was totally destroyed in a war between the Lebanese Armed Forces (LAF) and the non-Palestinian militant group Fatah al-Islam. Two-thirds of the camp's former inhabitants now live on its outskirts in damaged homes and temporary shacks. Abu Siyam says many people sing or talk about Nahr al-Bared, "but nobody speaks out about the war, the hopelessness and oppression."

Nahr al-Bared is still closed down and designated as a military zone by the LAF which mans five checkpoints around the camp. Access is restricted and journalists are not allowed to work freely. "We're surrounded and live like in a prison. In other camps people can come and go in a normal way," says Abu Siyam. The LAF's presence in and around Nahr al-Bared is one of the main topics Abu Siyam raps about:

"I'm Palestinian and don't submit to the rule of your army / Stop building this wall! / From the first time I saw you, I knew what you wanted / 'Hey you, give me your ID, where's the permit?'"

The Lebanese army states the checkpoints and permits are necessary to preserve the safety of the people "through preventing the infiltration of terrorists and wanted people, smuggling of weapons, explosives, and illegal material." However, many refugees in Nahr al-Bared feel humiliated and oppressed by the LAF. Abu Wissam Gharib, leader of the Popular Front for the Liberation of Palestine (PFLP) in Nahr al-Bared, says he understands that warfare required an army, "but once the war is over, why does the army stay?" Gharib wonders why he needs to have special permit to return home to Nahr al-Bared when he can travel everywhere else in Lebanon on his ID.

Abu Siyam records in al-Mukhayyamat studio in the Palestinian refugee camp of Bourj al-Barajneh, located in the suburbs of Beirut.

"The parties are two-faced / Their authority is silly / Fortified by lies / Their politics are sick."

Abu Siyam is aware of the power of his lyrics. "We're not against the Lebanese system, but they deprive us of our rights." Palestinian youth do not see a future in Lebanon and see emigration as a way out. When a delegation from donor states recently visited Nahr al-Bared, the residents of the temporary housing units did not ask them for more aid, but for visas allowing them to emigrate.

In Nahr al-Bared the slow reconstruction and the continued presence of the LAF have led to widespread unemployment. Charlie Higgins, project manager for Nahr al-Bared's reconstruction at the United Nations Works and Relief Agency for Palestine refugees (UNRWA) describes the economic situation in the camp as "stuck," with the economy yet to regenerate and employment situation unimproved since the war ended.

Abu Siyam hopes that whenever Nahr al-Bared is rebuilt there will be a music studio where he might record his songs. He will have to drive to Beirut to record the two new rap numbers that he is currently working on.

'a-films' has been documenting Nahr al-Bared's post war developments over the past two and a half years. The collective has published reports and produced about a dozen short films:
 http://a-films.blogspot.com/search/label/nahr%20al-bared%20refugee%20camp


Website: http://a-films.blogspot.com
 

Lees meer over: militarisme vrijheid, repressie & mensenrechten

aanvullingen
> indymedia.nl > zoek > archief > hulp > doe mee > publiceer nieuws > open nieuwslijn > disclaimer > chat
DISCLAIMER: Indymedia NL werkt volgens een 'open posting' principe om zodoende de vrijheid van meningsuiting te bevorderen. De berichten (tekst, beelden, audio en video) die gepost zijn in de open nieuwslijn van Indymedia NL behoren toe aan de betreffende auteur. De meningen die naar voren komen in deze berichten worden niet zonder meer door de redactie van Indymedia NL gesteund. Ook is het niet altijd mogelijk voor Indymedia NL om de waarheid van de berichten te garanderen.